Hilbert asked for a general method of ascertaining whether a polynomial equation with whole number coefficients has a solution. Three American mathematicians—Martin Davis, Hilary Putnam, and Julia Robinson—were "captured" very early in their respective careers by Hilbert's tenth. In their own words, "it would not let them go." Julia Robinson told her sister, Constance Reid, that she did not want to die without knowing the answer, even if she herself did not solve the problem. Then, in 1970, a 22-year-old Russian mathematician named Yuri Matiyasevich put in place the last, necessary piece for the solution. The negative answer to Hilbert's question turned out to be a solution with significant implications for the development of computer science. Three of the four mathematicians involved in solving H10 are in the film. Fortunately, Julia Robinson's place in the film is filled by her biographer and sister, Constance Reid, who also wrote highly acclaimed biographies of David Hilbert and of other modern mathematicians, including E. T. Bell. Treatment and Style We meet Julia Robinson through shots of a three-year-old girl (Eva Liddle) as she squats under a giant saguaro cactus in the Arizona desert. A closer look reveals that she is lining up stones in neat rows, creating sequences of numbers. This reenacted moment is recalled by Robinson's sister, closest friend, and biographer, Constance Reid, who plays a central role in Julia's story, and in the film.
The thread of these comments returns to the film's main theme of Julia's interest in unsolved problems, and to her decades-long obsession with Hilbert's tenth problem (H10). Throughout the film, the three living mathematicians who were involved in its solution, describe their work in the context of her contribution. Robinson's own words, taken from papers, speeches, letters, and from the autobiography, Julia, a Life in Mathematics—dictated to Constance Reid before her death in 1985—are brought to life using the voice of an actress who is never seen in the film. Where did Julia Robinson's passion for mathematics come from, and how was it nurtured? Robinson's childhood is presented through her father Ralph Bowman's beautiful black and white photographs of the Bowman family's life, and scenes filmed with Constance Reid in present-day San Diego. Locations include early years in the desert near Phoenix, Arizona, the home on Point Loma where Robinson suffered the illness that changed her life and drastically affected her mathematical career. Following a series of childhood illnesses that kept her out of school during her early teens, Julia developed an early fascination with numbers. This led to a pursuit of mathematics at San Diego High School. One question raised by the film: did disease and isolation prepare her for being the only girl in her mathematics class, and for a life of being different? During the 1930s, Julia was clearly an exception. Girls in the United States did not pursue scientific studies. "What are we going to do with a girl like that?" asked her stepmother in a comment about Julia's unflagging interest in science and mathematics. It is a line Constance Reid likes to quote. She recounts the story on stage at the 1999 San Diego High School graduation ceremony. Throughout the film, Reid's presence provides an echo of Julia Robinson herself, describing Robinson's decisions, feelings, and motives, as Robinson confided these to her sister. Reid's collection of papers and photographs further enrich the film with authentic archival materials. Robinson's own words, taken from papers, speeches, letters, and from the autobiography, Julia, a Life in Mathematics—dictated to Constance Reid before Robinson's death in 1985—are brought to life through two surviving clips of Julia Robinson's own voice, and readings by narrator Danica McKellar.
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